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Exhibition showcases artists’ experiences at Tafalong Indigenous tribe

Exhibition showcases artists’ experiences at Tafalong Indigenous tribe

2023-09-06

Museum of Contemporary Art Taipei has launched a new exhibition titled "Humus." Six artists from the Czech Republic, Belgium, and Taiwan visited an Indigenous tribe in Hualien to investigate and create works based on their observations. Our reporter Stephany Yang takes us in for a look!

Czech artist Matej Machacek utilized a texture painting technique to create this artwork. He captured native dogs that he saw while climbing sacred mountains.

Along the way, he also captured trees and tribal community members. These artworks were all inspired by Machacek’s trip to a tribal village in Hualien.

Matej Machacek
Czech artist
The inspiration is basically because I really like nature and the landscape. It is based and the memories of my personal experience of staying in nature. I used the motif of this painting the huge scale of the dog, as an animal as a fragment of the really important friend or animal of the people in the village. I started to use large-scale rice paper and paint directly on the floor. After the painting is finished, I glued the painting on a canvas. On a cotton canvas. After it is dried, I stretched the complete painting on the wooden frame.

Taiwanese and Belgium artist Wang Aymei’s work drew inspiration from a documentary that investigated the cultural ownership of pillars and beams from an ancestral house in the Tafalong tribe. The Tafalong tribe asked Academia Sinica to return seven carved pillars to the tribe. They eventually reached a compromise where the tribal members brought the ancestral spirit in the pillars back to the tribe, and the museum got to keep the wooden pillars. Wang created porcelain fragments as well as nets.

Wang Aymei
Artist
I used the seven pillars and made a ceramic version of them. I wanted to reverse the process of the story from the community to the museum. This time make it reversed from the art gallery back into what people considered was the natural community for them. Visitors of the exhibition can come and see the artowrk and take the fragment to take them home. I wanted to work on this idea of having a net that gathers. Even if maybe people from multiple ethnicities you don’t really have a place you belong or you are not sure about your identity. You still have fragments of your ancestors or beliefs. I wanted to make them into a fish net or something that retains and both ties you to the land but also ties you to the culture that seems a bit fragmented.

The exhibition "Humus" is a long-term curatorial project that began in 2020. The curators and artists visited Cilangasan, a tribal mountain in Hualien, to explore and create artworks that bring to light the relationship between land and culture, as well as the artists’ interpretation of dealing with identity. The exhibition features the work of six artists from the Czech Republic, Belgium, and Taiwan. One featured Taiwanese artist is Kao An-bo. He drew animals from an Amis mystical tale, as well as clouds he saw at the tribe.

Kao An-bo
Artist
These three are ink paintings. They were inspired by our experience of following an Amis group to Cilangasan. I collected inspiration from the paths we took to paint these works. I also used local water sources such as Cilangasan water and rainwater, because it was raining at that time. I also mixed local soil to make different ink colors.

The exhibition will be held at the Museum of Contemporary Art Taipei till Oct. 15.

台北當代藝術館「混血人」展覽 多元文化的身分詮釋

2023-09-06

台北當代藝術館舉辦MoCA Studio「混血人」展覽,集結來自捷克、比利時、台灣6位藝術家創作的作品,他們一同前往花蓮原住民部落勘察、創作。一起來看看!

來自捷克的馬偕.馬哈切克以生動的筆觸、色彩創作這幅作品,畫中所描繪的是,他在攀登聖山時所看到的土狗。

他還描繪了聖山上的樹木以及部落成員。這些創作靈感皆來自探索花蓮部落的旅途過程。

[[馬偕.馬哈切克]]
"靈感來源主要是因為我喜歡大自然和鄉間景色,是根據我個人在大自然中的經歷和回憶來創作。這幅畫的主題是狗,作為一種動物,同時也是村里人們重要的朋友。我使用大量的宣紙,將紙鋪在地板上作畫,畫完後,我把宣紙黏貼在畫布上、棉質的畫布上,等乾了之後,再用木框裱框。"

台裔比利時藝術家王愛眉的作品源自一部紀錄片,有關太巴塱祖屋的樑柱文化歸屬的問題。太巴塱部落曾要求中央研究院將七根梁柱歸還給他們,最終雙方達成妥協,部落成員將柱子裡的祖靈帶回部落,而博物館保留木柱。王愛眉的作品《地臍》,將碎裂的陶片用繩子連結成一張網。

[[藝術家 王愛眉]]]
"我用這七根柱子做了一個陶瓷版本。我想把從部落到博物館的過程顛倒過來,這次讓它從美術館回到自然環境中。參展民眾可以前來觀賞作品,並拿一塊碎片回去。我想用網子連結這些碎片,就算來自不同種族沒有歸屬感的人或是不確定自己身份的人,身上仍然擁有來自祖先或信仰的碎片。我想把它們做成魚網或者其他東西,既能將人和土地聯繫起來,又能連結已經有點分崩離析的文化。"

此次策展計畫始於2020年。策展人和藝術家前往花蓮的部落奇拉雅山,勘查並創作,探索土地與文化之間的關係,以及藝術家對身份認同的詮釋。展覽集結捷克、比利時和台灣六位藝術家的作品。這位來自台灣的藝術家高安柏,創作一系列作品源自阿美族神話故事中的動物,以及部落中的雲彩。

[[藝術家 高安柏]]
"這三幅是我用水墨,去畫我們當初跟著阿美組族人進入奇拉雅山裡面的經歷。我收集了我們登山的路徑去畫這些作品,其中我也用當地的水源,比如說奇拉雅山的水,然後還有雨水,因為那時候有下雨,我也混合當地的泥土去做墨色的變化"

台北當代藝術館MoCA Studio「混血人」展覽展至10月15日。

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