
Today, Japan’s de facto ambassador to Taiwan visited FTV, where he was able to witness a political talk show being filmed. After taking a photo in the anchor’s seat, Kazuyuki Katayama, the new Chief Representative of the Japan-Taiwan Exchange Association, got to experience the state-of-the-art technology on display in FTV’s new LED virtual studio.
This is Kazuyuki Katayama, the new Chief Representative of the Japan-Taiwan Exchange Association. It’s his first visit to FTV’s Linkou headquarters, and he’s not wanting for company: along for the tour are FTV General Manager Liao Ji-fang and FTV Vice President Anne Hu. When Kazuyuki walked into the news studio, “Taiwan! Go for It!” was underway. In addition to learning about the filming process for the political talk show, a type of program that Japanese TV doesn’t have, Kazuyuki also enjoyed the rare opportunity of sitting in an anchor’s chair. He made sure to make time for a proper photo op.
But the news studio was just an appetizer. The main event of the visit was to check out Asia’s premier virtual studio at FTV. Kazuyuki listened closely as staff provided explanations and then showed off the technology. The de facto ambassador was amazed by FTV’s investment into the virtual studio, especially FTV Culture Department’s “1 plus 4
T-content plan,” a 2023-2027 project that garnered NT$10 billion over four years from the Executive Yuan. The program’s aim is to introduce the world to Taiwan’s visual arts culture. Kenji Lee is a talented young film director who studied in Australia. Now that he’s back in Taiwan, he has chosen FTV’s virtual studio as the set of his new work.
Kenji Lee
Director
Since I came back from Australia, where I saw many studios, I feel like this place here truly is one of Taiwan’s best virtual studios; I’d say it’s the best. You could say it’s one of Asia’s premier studios. For this here, the studio captures the camera data, and then we can transfer it to the game engine, which has the capability to take data from the virtual camera and send it to the image on the screen. So when the camera moves, the image moves with it, so I think this is really amazing technology.
The giant LED screen has state-of-the-art augmented reality technology. FTV’s Hollywood-level virtual studio instantly transported Kazuyuki to Kyoto. The de facto ambassador has been devoted to fostering bilateral relations during his five months in Taiwan, and now he has witnessed FTV’s virtual studio, a pioneering feat that showcases the innovative technology of Taiwan’s film industry.
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日本新任駐台代表片山和之週四到民視參訪,實際體驗全亞洲最頂尖的民視虛擬攝影棚,瞬間就彷彿置身日本京都,讓他驚嘆不已。事實上,文化部目前正力推的黑潮計畫,就是要將台灣的視覺藝術走向國際,民視虛擬攝影棚正好躬逢其盛,要帶領電視觀眾邁入嶄新科技的里程碑。
第一次到民視林口總部參訪,日本駐台代表片山和之一行人, 特別由總經理廖季方和新聞傳播群副總胡婉玲陪同,來到民視新聞攝影棚,正巧碰上政論節目"台灣向前行"現場播出,除了了解日本沒有的這類型政論節目製播流程,片山代表還難得坐上主播台,拍張照過過癮。
不過,重頭戲在這裡,全亞洲最頂尖的虛擬攝影棚,仔細聆聽工作人員的解說和示範,片山代表全神貫注,驚嘆民視在虛擬攝影棚的投入和開發,尤其文化部的「匯聚臺流文化黑潮計畫」,已經獲得行政院支持,核定4年共100億元、光是今年就編列30億元預算,要全力支持台灣的視覺藝術走向國際。感受到這股蓬勃發展的創新力, 這位在澳洲學有所成的新銳導演李賢治, 回到台灣後毅然選擇了民視虛擬棚, 作為他創作的舞台。
[[新銳導演 李賢治]]
“因為我從澳洲回來,看過澳洲很多的棚,但我覺得這邊真的是全台灣數一數二,應該算第一,全亞洲也可以算頂尖的。這個的話,它會跟蹤攝影機的數據,我們再把它傳進去裡面的遊戲引擎,遊戲引擎有一個搭配虛擬攝影機,它把數據傳送到畫面上,所以這個攝影機一動,畫面也會跟著動,所以這是很棒的技術。”
巨型的LED牆,先進的AR技術,媲美好萊塢的民視虛擬攝影棚,瞬間就讓片山代表置身京都。來台五個月,他致力台日關係的同時,也見證了台灣電視產業創新科技的里程碑。
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