Runaway capybaras celebrate New Year’s together, giving a scare to their owner

Runaway capybaras celebrate New Year’s together, giving a scare to their owner

2025-01-03

Who can say no to a nice trip to celebrate the start of the year? That’s apparently what two capybaras in Yilan decided to do this past Tuesday, leaving their owner worried sick. The two animals broke out from their enclosure in the early morning of Dec. 31, and stayed out all day and all night, only returning home by themselves on New Year’s Day.

Two capybaras trot along a dark street, the bigger one in front of the smaller one. Where are they going? Are they rushing to a New Year’s party?

Member of public
I think they look so funny, hanging out together on New Year’s. Maybe they met up to watch the fireworks show together.

Member of public
They are like a young couple on a date, going out to watch the night views together.

People find the excursion cute. But for the capybaras’ owner it was a nightmare.

Voice of Mr. Wu
Capybara owner
They escaped at around 3 a.m. on Dec. 31. We only found out they were gone when we went to feed them at midday.

The owner went on social media to ask for help locating the two capybaras, but nobody had any leads. It was only the next day, when their owner was watching security camera footage, that he found the two runaways had returned, leisurely and unbothered.

Voice of Mr. Wu
Capybara owner
I had a hunch that they would come back in the New Year. So I looked at the security camera footage on my phone. After a minute, I saw them pacing back and forth at the entrance. Then I saw that they had gone out to play in the fields.

The capybaras, which are valued at NT$300,000 made their way home safely after a muddy New Year’s celebration in the fields. Sometimes, the best way to get a fresh start to the year is really just to take a walk around the block.

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水豚好朋友"相揪"去跨年! 還續攤跑去田裡玩耍

2025-01-03

動物也要湊熱鬧跨年嗎。宜蘭有民眾養的一對水豚，去年年底蹺家，飼主怎麼找都找不到，沒想到跨年過後，竟然又乖乖走回家，但到了家門口，又跑到附近田裡完第二攤，最後主人和和朋友合力，在泥巴堆裡，把這一對水豚逮回家。

兩隻水豚君大半夜，一大一小、一前一後，走在馬路上，這時間點正好是，12月31日，是要跟人湊熱鬧，也要去跨年嗎。

[[民眾]]
“就覺得這個畫面是還滿有趣的，然後兩隻一起相約，剛好又在跨年的時候這樣子，那我覺得他們兩個可能是相約，一起去跨年看煙火這樣”

[[民眾]]
“我覺得應該是小情侶要一起去約會啦，去約會看夜景”

民眾都覺得有趣，但水豚君的飼主，可擔心得要命。

[[聲源:飼主吳先生]]
“31號凌晨，牠們大概3點多的時候跑出去，然後隔天去餵食的時候，中午發現牠們不見了”

飼主急PO文，求網友幫忙協尋，找了大半天還是杳無音訊，沒想到隔天，看監控時，又發現他們悠悠哉哉的散步回來，不過回家前，先再玩一攤。

[[聲源:飼主吳先生]]
“心想說，會不會牠們跨完年就回來了，於是打開了手機的監控，過了一分鐘，牠們兩隻就在門口徘徊，(後來)發現牠們就跑到田裡面去玩”

價值30萬的水豚君，跨完年、玩完泥巴，終於肯乖乖回家。2025的頭一天，這對水豚君，用蹺家的方式，來迎接牠們新年。

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民視台灣台（152頻道）週日至週五晚上9:30
民視新聞台（53頻道）週二至週六凌晨1:00

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Sun to Fri at 9:30 pm on Channel 152
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The “Sword Finger Art Style” is created on a tablet using fingers like a sword. The lines are drawn as if you are practicing tai chi. They are cartoon character lines. You can see that his work looks like it is written in cursive script. This exhibition uses the theme of a finger sword dance to present Hsiao’s series of works from 2017, as well as his reinterpretation of past classic works such as "The Little Hero of Holland." He uses different brushwork techniques - from the brushstrokes of early comics to the different presentations of the “Sword Finger Art Style.” There are also three-dimensional works that allow the audience to enter the world of comics.

Hsiao was a multidisciplinary creative known for being a famed cartoonist, professor, playwright, theater director and TV host. After becoming a comic artist, he devoted his time to perfecting the single-panel comic format. After being in his career for 30 years, due to the conflict between digital technology and traditional art, he decided to draw on an electronic tablet using his fingers instead of drawing with his nib pen. He was awarded the 2020 Golden Comic Awards Special Contribution Award and has sold over 200 million comic books during his career. His son spent a lot of time engaged in creative pursuits with his late father and was greatly inspired by his late father’s persistence.

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I probably started working for him when I was in college. For a series of works about Marilyn Monroe, he told me that he did not refer to her pictures for inspiration. He created them using his imagination. He said that it took him hundreds of attempts to complete this painting. When he finished the painting, he compared it with the picture. Even though many details were not the same, the audience would know what the picture is about. He thinks that is what makes this work successful.

Hsiao’s exhibition will be held at the Taipei Museum of Contemporary Art until Feb. 16.

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Liao Chiung-chih is a world-renowned Taiwanese opera performer. Acknowledged as Taiwan’s top kudan, she is famous for her unique crying technique. She received a Golden Bell Award in 1990 for her work in television and was recognized with a National Cultural Award in 2008 and a National Cultural Heritage Preservation Award in 2012. Liao witnessed a lot of adversity throughout her life.

At the age of 90 this year, she is still passionate about preserving Taiwanese opera and training the future generation of performers. She believes the keys to persevering Taiwanese opera is learning Taiwanese Hokkien and embracing innovation and avoiding radical change.

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I think there is hope for young people to learn it. Nowadays, everyone is seeking innovation and change. But it is good to seek innovation, but it is very bad to seek change. After the foreign cultures came in, everyone changed and started wearing Western clothes. In the past, everything was very conservative. Being able to speak Taiwanese is the most important thing, because Taiwanese Opera is performed in Taiwanese.

To preserve Liao’s craft, the Liao Chiung-chih Taiwanese Opera Cultural and Education Foundation released a set of seven annotated scripts, documenting works composed and performed by Liao.

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Can such scripts be compiled and recorded? Our maestro Liao has also been thinking about whether we can add more repertoires to Taiwanese opera, including preserving these wonderful and iconic repertoires. She has been archiving her shows since 1999. We compiled sources including her archives, compositions and stage presentations, her recounts of the creative process as well as performance records.

To witness Liao’s vision, stay tuned for the three shows the foundation has planned for 2025. The first show will take place in April.

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