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‘Uncoverings: The Search for Identity in Lithuanian Photography’ opens in Taipei

‘Uncoverings: The Search for Identity in Lithuanian Photography’ opens in Taipei

2022-11-08

A new photography exhibition has opened in Taipei. The show explores the history of identities in Lithuania, both at cultural and individual levels. The exhibition titled, "Uncoverings: The Search for Identity in Lithuanian Photography," also gives visitors a glimpse into the history of photography in the European nation. FTV reporter Stephany Yang takes us in for a look!

This exhibition is divided into three themes: “Identity as Reality,” “Identity as an Object,” and “Identity as a Concept.” The first part of the exhibition explores the development of Lithuanian photography. From 1940 until 1990, Lithuania was occupied by the Soviet Union. It was not until 1950 that Lithuanian photography started to develop. Photography became a tool for self-expression and played a significant role in forming the ideology of the state. Many of these works were captured by Lithuanian photographer, Antansas Sutkus.

Fu Yuan-cheng
National Center of Photography and Images
The first part of the exhibition, "Identity as Reality," showcases the beginning and gradual formation of photography in Lithuania after 1950. In this series, it is mainly the presentation of humanistic documentary photography. We mainly have the works of Antanas Sutkus on display. For example, this work, "Blind Pioneer," reflects the spirit of Lithuania’s humanistic photography.

The second part of the exhibition explores the transformation of Lithuanian culture and history. Lithuanian photographers in the 1980s witnessed a movement for political transformation, along with mass protests. During this time, the photographers portrayed the fatigue people felt by capturing photos of everyday objects.

Fu Yuan-cheng
National Center of Photography and Images
The second part, "Identity as an Object" talks about Lithuania after the 1980s during a revolution. The artist also hopes to get rid of the spirit of the past humanistic photography. In this exhibition, the main thing is to explore the concept of identity. From the concept of identity, the desire for freedom and thirst for freedom can be drawn. This also corresponds to the current situation, whether it is Taiwan , Lithuania or the current Russian invasion of Ukraine. These situations let us reflect on the concept of our own identity.

Lastly, the third part of the exhibition showcases works created in the 21st century. Due to the development of technology and digital photography, artists who emerged during this period took photos highlighting society from different perspectives to encourage viewers to think about novel topics.

Fu Yuan-cheng
National Center of Photography and Images
The third part mainly exhibits the works of Lithuanian photographers after the 21st century. After gaining independence in 1990, many Lithuanian photographers have more opportunities to study and also continue with the spirit of their predecessors.

The organizers have borrowed the collections of the Lithuanian National Museum of Art to exhibit in Taiwan. Through the exhibition in Taiwan, it hopes to showcase the diversity of the East European nation’s voices through photography as well as deepen the relationship between Taiwan and Lithuania.

Fu Yuan-cheng
National Center of Photography and Images
During the epidemic last year, Lithuania donated masks and vaccines to Taiwan twice. Due to this, there was an opportunity and a platform for international exchange relations between Taiwan and Lithuania to begin. In addition to pandemic diplomacy at the time, the Ministry of Culture also hopes to have a deeper exchange with Lithuania in future. Through these three themes, we hope to show the development of Lithuania’s photography, as well as understand the diversity of identities.

The exhibition will showcase the works of 21 local Lithuanian photographers from 1950 to today. “Uncoverings: The Search for Identity in Lithuanian Photography," will be on at the National Center of Photography and Images until Nov. 13.

「揭幕:尋探立陶宛攝影中的認同」 國家攝影中心臺北館展出

2022-11-08

國家攝影文化中心臺北館現正展出「揭幕:尋探立陶宛攝影中的認同」展覽。 攝影展覽從文化和個人層面探討了立陶宛的身份歷史,同時也以影像回顧立陶攝影的歷史。

展覽分為《認同即現實》、《認同即物件》 以及《認同即概念》三個主題。展覽的第一部分探討了立陶宛攝影的發展,從 1940 年到 1990 年,立陶宛被蘇聯佔領。直到 1950 年,立陶宛攝影才開始發展。攝影變成了表達自我的一種工具,並且在國家意識形態的形成過程,發揮了極其重要的功用。其中許多作品是由立陶宛攝影師 "安塔納斯.蘇庫斯"所拍攝。

[[國家攝影文化中心臺北館執行秘書 傅遠政]]
"展覽第一個單元《認同即現實》,要呈現的是立陶宛在1950之後,逐漸形成攝影風潮的開端。這個系列,主要是人文紀實攝影的呈現。最主要是,有立陶宛很重要的蘇庫斯這位攝影師的作品。例如"盲眼的小紅軍",反映出立陶宛的人文主義攝影精神。"

展覽的第二部分探討了,立陶宛文化和歷史的轉變。 1980 年代的立陶宛攝影師見證了一場政治變革運動以及大規模的抗議活動。這段期間,攝影師透過拍攝日常生活的物品,來描繪人們所感受到的苦悶。

[[國家攝影文化中心臺北館執行秘書 傅遠政]]
"在第二個單元《認同即物件》,是1980 年代之後,立陶宛它在面對革命的氛圍。攝影師希望能擺脫過去人文攝影的精神。第二單元的展覽,主要是探究自我認同的概念。從自我認同的概念裡面,可以從作品中看出人們對於自由的慾望和追求。同樣地,對應到現今的狀況,不管是台灣或是立陶宛的處境,還有俄烏戰爭,都是讓我們去反思自我身分認同的概念。"

最後,展覽的第三部分展示了21世紀的作品。因為現今科技和數位攝影的發展快速,這一個時期的攝影師,從不同的角度拍攝了描述社會各角落的照片,鼓勵民眾思考新奇的話題。

[[國家攝影文化中心臺北館執行秘書 傅遠政]]
“在第三個單元,主要展出了21世紀之後立陶宛的攝影作品。 隨著立陶宛在1990年獨立之後,很多攝影師有機會可以就學,然後可以延續攝影前輩的精神。"

"揭幕:尋探立陶宛攝影中的認同" 展出了來自立陶宛國家美術館的收藏品。透過這次展覽,希望能透過攝影作品,展示東歐國家的多元文化,並加深台灣與立陶宛的文化交流。

[[國家攝影文化中心臺北館執行秘書 傅遠政]]
“其實在去年疫情的時候,當時是立陶宛兩度捐贈台灣,不管是口罩或是疫苗。 從這個機緣打開了台灣跟立陶宛的國際交流關係的平台,除了當時疫情的外交,文化部也希望有更深層一點的交流,因此,透過這三個主題攝影展,來呈現立陶宛攝影發展的歷程,也透過這個展覽,讓我們理解自我認同的多元面貌。"

此次展覽展出21位立陶宛當地攝影師從1950年至今的作品。 《揭幕:尋探立陶宛攝影中的認同》將在國家攝影文化中心臺北館展出持續到 11 月 13 日。

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