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Mother and daughter due bring Asian art to the forefront in self-founded art galleries

Mother and daughter due bring Asian art to the forefront in self-founded art galleries

2022-12-16

Today, in our art spotlight series, we meet art gallery founders Tina Keng and Shelly Wu. Keng is the founder of a well-known gallery in Taiwan called Tina Keng Gallery. Her daughter Shelly Wu also runs a successful gallery called TKG+ Gallery. Wu’s gallery hopes to showcase the work of Asian artists and bring them to the international stage. FTV reporter Stephany Yang met the mother-daughter duo to find out more.

This is Shelly Wu, the founder of TKG+ Gallery, a contemporary art gallery based in Taipei. The gallery showcases experimental art by contemporary artists from throughout Asia, who employ a range of media including installations, digital media, video, and photography.

Shelly Wu
Art gallerist
My goal has never changed. I’ve always wanted TKG+ and its artists to be recognized internationally. I know that is not something that you can easily do or happen within a couple of years. For the past 10 years, we have a solid foundation. In the next 10 years, we are looking into exploring the Western part of the world to really bring our talents into more people’s homes and more museum institution’s collections.

Wu studied in New York. After returning to Taiwan, she saw that there were many outstanding young artists in Taiwan and decided to start her own gallery in 2009. She founded TKG+, which is contemporaneous with her mother’s gallery, the Tina Keng Gallery. Tina Keng has been an established art gallerist for over 30 years, a forerunner in promoting Asian classical-art masters and modern Taiwanese art. Wu says her mother greatly influenced her and inspired her to start her own, which was not an easy road.

Shelly Wu
TKG+ executive director
I grew up in this art environment and really since a child I’ve been with my mother visiting museums, artist studios, and galleries so I’ve always been in favor of one day I wanted to become a gallerist as well. It’s actually financially, it is very costly to really be supporting young talents because internationally there are a lot of expenses and everything. There are challenges we are facing like there are not just our gallery. There are also a lot of younger emerging galleries and then we share similar programs. How to differentiate ourselves and how to build a stronger program. That’s something you always have to break through.

Tina Keng
Tina Keng Gallery executive director
I’m already passing down art to her because art is my life. Ever since she was a child, she has come with me to visit art museums and galleries. So, this has also become her life. She has her own sensitivity to art and she also studied art. Her English is good and she was educated overseas, so her outlook will definitely be wider, and the angle from which she sees things will definitely be different.

Through years of hard work, Wu has played an important role in bringing cutting-edge Taiwanese artists to international audiences. TKG+ exhibits works of art from Taiwan, and also from artists in Southeast Asia.

Shelly Wu
TKG+ executive director
I have a strong foundation in Taiwan itself because as I said, there are a lot of young talents here but that is kind of my foundation as if you are building a building. Meaning that I want to set foot in this realm itself and have a very solid foundation, and then move to other parts of Asia. So I’ve been starting to work with artists such as Kong Chun Hei and also artists from Cambodia, and also artists from Myanmar, and also artists from Thailand.

Tina Keng
Tina Keng Gallery executive director
The difference between the two of us is era. My era and her era. I think one of the important things for us to do when organizing art exhibitions is to reflect on our era. Works by the important artists of my era have become classics. She is from a different era. To me, her era is a huge transitional period. I also feel like I have a new life now because she is willing to participate in what I do. I am very willing to move forward and integrate my old soul into a new field.

Both mother and daughter hope to continue to promote works by Asian artists, and to share these works with the world.

力推亞洲藝術家作品前進國際 畫廊創辦人吳悅宇談目標與挑戰

2022-12-16

今天在我們的藝術人物專訪系列中,帶您來認識兩位藝術畫廊創辦人,耿桂英與吳悅宇。耿桂英是台灣知名畫廊耿畫廊的創辦人。而女兒吳悅宇也跟隨著母親的腳步,開創個人品牌 TKG+,支持亞洲藝術家,希望讓他們被國際看見。

吳悅宇是台北的當代藝術畫廊TKG+的創辦人,畫廊展出來自亞洲各地的當代藝術家的實驗藝術作品,包括裝置藝術、數位媒體、錄像和攝影作品。

[[TKG+ 負責人 吳悅宇]]
"我的目標一直都是希望我們的藝廊,還有旗下的藝術家在國際上可被看見,這不是短短幾年內可以輕易做到的事。這十幾年來,我們一直在建立堅實的基礎,未來十年,我們希望能拓展到西方世界,讓我們的作品出現在更多人的家裡和博物館。"

吳悅宇在紐約求學,回台後,她發現台灣有很多優秀的年輕藝術家,於是決定在2009年開自己的畫廊TKG+,也跟母親的畫廊合作。耿桂英入行三十餘年,是耿畫廊的創辦人,致力推廣亞洲古典藝術大師和現代台灣藝術。吳悅宇說,母親對她的影響很大,並激勵她創業。但吳悅宇也坦言,這條路並不容易。

[[TKG+ 負責人 吳悅宇]]
"我在這種藝術環境中長大,從小我就和媽媽一起參觀博物館和美術館,所以我一直希望有一天能成為一名畫廊負責人。要扶持年輕人才實際上是非常燒錢的,因為很多地方需要花錢。另外的挑戰是,不只我們,業界還有很多新興畫廊,我們有一些類似的項目。所以如何差異化和建立強大的項目 ,這是必須突破的事情。"

[[耿畫廊負責人 耿桂英]]
"已經在傳承中了。因為藝術在我裡面已經是我的生活了。她從小就一起跟著我,去美術館、畫廊,所以這個也變成她的生活。她有敏感度,她是正科班的,英文好,然後海外受教育,所以她的視野肯定會更廣,角度肯定不一樣。 "

透過多年的努力,吳悅宇成了將台灣新銳藝術家推向國際的重要推手。TKG+展出來自台灣和東南亞藝術家的藝術作品。

[[TKG+ 負責人 吳悅宇]]
"我在台灣本身就有很強的後盾,因為這裡有很多年輕人才,那是我的地基,就像你在蓋一棟大樓一樣,自己要進入這個領域,要打好基礎,再去亞洲其他地方。所以我開始與藝術家合作,例如香港藝術家鄺鎮禧,還有來自柬埔寨的藝術家及來自緬甸和泰國的藝術家。"

[[耿畫廊負責人 耿桂英]]
"我們兩個的差別就是世代。我的時代跟她的世代。我覺得我們做藝術展覽很重要的一件事情,就是反應你的時代。所以我的時代重要的藝術家成為經典的留下來。她是不一樣的時代,她的時代對我來講是巨大的變化。我也因為她願意進來,所以對我來說感覺有新的生命。我很願意往前走,把我的老靈魂融入到他們的新的領域進去。"

母女倆持續推廣亞洲藝術家的作品,讓他們能在國際舞台上發光發熱。

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