‘Rain Horse’ arrives at Presidential Office ahead of May 20 performance

‘Rain Horse’ arrives at Presidential Office ahead of May 20 performance

2024-05-15

Ahead of May 20, performers in the inauguration ceremony are busy rehearsing for the big day. The Paper Windmill Theatre has put together a show featuring 200 children from across Taiwan. The performance is based on three Hakka songs and will showcase the Hakka people’s diverse culture.

One highlight of the show has already been delivered to the performance venue. It’s the "Rain Horse," a giant blue horse with a rainbow mane. It cut a striking figure against the Presidential Office building on Wednesday. According to the theater group, the rainbow-colored mane symbolizes peace that comes after adversity, and it’s a blessing for Taiwan’s next president and all of its people.

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520就職典禮搶先看! 紙風車雨馬"騎進"總統府前廣場

2024-05-15

520就職典禮進入倒數階段，所有表演團隊正如火如荼準備中，今年邀請到紙風車樂團，團長透露520當天，會邀請全台200個年輕孩子參與演出，並帶來三首客家歌與大家同樂。

這匹四層樓高的雨馬，身上的繁花外衣象徵溫柔堅定，彩虹則代表雨後和平。紙風車劇團期昐透過雨馬，披著幸福彩虹的身姿，帶給下一任總統副總統以及台灣人，最真誠的祝福。

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According to a recent poll, cyberattacks and disinformation are a top public priority.

Online media outlet RWNews asked the public which reforms they wanted to see the incoming government prioritize. Nearly 50% said they hoped to see action against scams. More than 40% wanted policies against inflation, bullying, cross-strait relations and pollution.

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We can all work together and spur on the incoming government.

In a rare moment of cross-party agreement, lawmakers said the poll gives a direction for reform to the Lai administration.

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‘RuPaul’s Drag Race’ winner Nymphia Wind performs at Presidential Office

Nymphia Wind, the winner of Season 16 of "RuPaul’s Drag Race," made history on Wednesday as the first drag queen to perform at the Presidential Office. Wearing her signature yellow, Nymphia staged a lip sync extravaganza with the members of her drag house. She thanked President Tsai for her contributions over the past eight years, calling Tsai a mother figure for Taiwan.

Nymphia Wind entertains the audience, flipping and splitting in high heels.

The skirt comes off, turning up the energy to the max.

Tsai Ing-wen
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By incorporating Taiwanese elements into the outfits she designed herself, Nymphia impressed the judges and fans of the show from all over the world. Her performances always contain an element of defiance, of resistance against discrimination in society. I would like to thank all drag queens for showing off your beauty fearlessly, for standing up and breaking the mold.

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I think this might be the first time in the world that a drag queen has performed at a presidential reception. I would like to thank this country for all it has given me, for letting me grow into the person I am today.

Nymphia fought back tears as she thanked Taiwan for enabling her growth. She pointed out that the yellow lotus on her chest symbolized triumph despite adversity.

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We in Taiwan face many political challenges, and there are many situations in which we have to find our way through difficulties. With you on our side, we have been able to share our beauty and grow into our beautiful selves. So I would like to thank you for your contributions over the past eight years. You are a mother for us in Taiwan.

When competing in “RuPaul’s Drag Race,” Nymphia drew inspiration from Taiwanese culture, showcasing looks featuring bananas and bubble tea. Her next major stop is Paris, where she will perform at the Taiwan Pavilion in the 2024 Cultural Olympiad.

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We know that internationally, the voices supporting Taiwan’s WHA inclusion are only getting louder. All of our medical groups are joining hands and hearts, as we push onward in pursuit of our goal.

After taking office as health minister, Chiu will lead an advocacy group to Geneva.

The 77th WHA will take place from May 27 to June 1. This year’s summit will focus on climate change as a global health issue, among five other priorities. Due to Chinese pressure, the WHA has not invited Taiwan to participate for eight consecutive years. Beijing claims that Taiwan has no right to participate without central government approval. The argument has provoked strong reactions from Taiwan lawmakers.

Liu Chien-kuo
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The CCP’s mindset shows a lack of wisdom. It is unable to keep pace or integrate itself with the world on the level of health care. Taiwan’s central government is its own central government. Taiwan’s central government derives power from its own people.

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Since the pandemic, we have realized that the health issues we will face in the future are global and intergenerational. Therefore, for the welfare of Taiwan’s next generation and all future generations worldwide, we must all work together.

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Wealthy Taipei may be the capital city of Taiwan but have you ever looked at it from the perspective of a homeless person or a student? The Museum of Contemporary Art Taipei is holding an exhibition exploring the experiences of poor people who have migrated to Taipei over the last half century and the subsequent process of urbanization. Through a series of installations, "Poor People’s Taipei: Transfer Station" explores the capital’s shadowy underbelly. FTV reporter Stephany Yang takes us in for a look!

The first section of this exhibition focuses on the voices of urban Indigenous people, homeless people and migrant workers. This work "What Brings You Here" is an installation with a timeline showcasing quotes of people who migrated to Taipei from the 1970s to today.

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Taipei is a city with many immigrants. When did everyone come to this city? What are their thoughts and perceptions about this city? They collected interviews of homeless people, Indigenous people, and migrant workers. They also discovered why young people, college students or people from other places came to Taipei.

Another work "Luma" is a workers’ shed. Inside the shed are objects and videos to shed light on the experiences of urban Indigenous people. Beginning in the 1960s, urbanization created job opportunities and attracted people from central and southern Taiwan to relocate to Taipei. The exhibition is divided into three sections and recounts people’s urban migration journeys through a series of installations and interviews.

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This exhibition is divided into three areas. Because the name of the exhibition is called Transfer Station, we want to start by telling the story of people coming to Taipei after getting off the station. The first exhibition area talks about those who live in this city who are unknown to the public. We recorded the stories of these workers or tribesmen. The second area of the exhibition is about the lifestyle of homeless people or people from poor families. How they are seen from the outside world and how they are treated by society? The third exhibition area is about the future.

Poor People’s Taipei: Transfer Station will be held at the Museum of Contemporary Art until June 16.

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