
A group of musicians in Taiwan has drummed to their beat for four decades. They’re the world-renowned Ju Percussion Group. Members of the ensemble say that percussion music’s primal and rustic appeal brings their music closer to the audience. And for forty years, they’ve touched the hearts of listeners from all walks of life, from concert halls to temple squares. Let’s take a look in our special report.
A large group of people departs from Taipei. They’re members of the Ju Percussion Group, heading to Hualien with a mission.
Earlier, the ensemble was invited to perform in Hualien, but the performance was postponed due to severe flooding from an overflowing barrier lake on Matai’an Creek in a typhoon.
Shovels and buckets are turned into musical instruments into the new arrangement, which kept the audience on the edge of their seats and elicited enthusiastic applause at times. The scene in which members passed buckets to each other showcased the power of unity and mutual support.
Hwang Kuen-yean
Senior member
I hope to bring the joy and passion of music to the audience here. It’s not that we want to do anything great, but just to create a little something to inspire them, so that maybe they’ll have sweet and fuzzy dreams before they go to sleep. I think that would be wonderful.
Wu Shih-san
Senior member
Percussion instruments are very close to the human heartbeat, and drumming is also a human instinct. We love to interact with people through percussion instruments, and we hope that they can get to know music in a relaxed state and become more familiar with music.
This performance in Guangfu Township, Hualien was a collaborative effort by 14 members of the Ju Percussion Ensemble spanning four generations. Among them, Peng Ching-ying, who stood on the stage, is not only a musician but also a teacher in the Ju Percussion Music School system.
Away from the stage, Peng Ching-ying takes the podium, imparting her musical experiences to inspire the next generation.
Before practicing the “Pirates of the Caribbean” theme song, she wants kids to imagine they’re about to sail out to sea. This puts them in the right state of mind to interpret the piece.
Peng Ching-ying
Member
After becoming a teacher, I could finally understand, more or less, how my teachers guided us in class, and what kind of feelings they hoped we could adopt. Actually, I used to get nervous every week before entering the classroom. At times I might not have practiced well enough. So when I’m about to scold students, I would be remember that I used to be exactly like them.
As a kid, Peng was pretty shy. At the age of 5, her mother enrolled her in the Ju Percussion Music School. Slowly, she gained confidence and found her calling.
Peng Ching-ying
Member
I initially chose percussion because I love it. I really find it fun, enjoyable, and gives me a sense of accomplishment. We also go on tours, and we accomplish things together. It’s not just the result that matters, but the process of improvement. I think that has had a significant impact on me. I’ve always wanted to feel these things in a group because I feel that those things are very genuine.
Peng has followed the group for almost 30 years, from pre-school to a full-time member. Among the current 20 members, 7 are “lifelong members of Ju Percussion Group” like her.
Ju Tzong-ching
Founder and Artistic Director
This teaching method isn’t to train performers. Instead, it’s an extracurricular program outside the formal schooling system. It draws on the human instinct to tap and play to connect with music. Later, we discovered that many people have embarked on an artistic path because of this method. So, this process has been going on for 35 years, and 160,000 people have joined over the years. This is something I never expected.
Ju Percussion Group, founded in 1986, is Taiwan’s first professional percussion ensemble. In 1991, it established a teaching system, which later branched out and formed the Ju Percussion Group 2, the Jumping Percussion Group and others. To date, the group has performed in 35 countries and regions around the world, with more than 3,500 performances.
Ju Tzong-ching
Founder and Artistic Director
When I founded the group, it was simply out of love for music. I’m incredibly blessed that I could stay true to myself and stick to my initial mission. I thought it’s quite incredible that a grassroots performance group performing around the world would last 40 years, but we have defied the laws of nature.
Tai Han-chih
Member
I think there are many different kinds of things involved in making music. Furthermore, I believe that when people come to our performance, they would first feel the energy and see how we collaborate and enjoy the music on stage. We hope to bring the passion of percussion to everyone.
Director Ju Tzong-ching personally oversees rehearsals before formal performances, leaving no detail overlooked. His dedication sustained the percussion group for 40 years. While it may seem like smooth sailing to outsiders, it has actually been a long and arduous journey.
In December 2022, the Ju Percussion Group’s rented warehouse in Bali, New Taipei burned down, destroying many valuable assets in the middle of the night. To make matters worse, there were less than two months left before the premiere of their major production of the year, an updated version of the critically acclaimed "MuLan."
Ju Tzong-ching
Founder and Artistic Director
That situation dealt a huge blow to us. Immediately afterwards, I convened a video conference to check whether anyone got injured and tally the losses incurred. Then, I made a very important decision: we wouldn’t play the victim card. We immediately took action, called the 1000-day countdown, and made overall plans for the entire project, including systems, talent, works, and performances.
Six months later, the Ju Percussion Group was reborn from the ashes. Not only did it survive the fire, but when the COVID-19 pandemic began and the arts and culture industry fell into depression, Ju Percussion Group was the first to insist that it would not lay off staff or cut salaries.
Ju Tzong-ching
Founder and Artistic Director
It’s about how you face things when they happen. Do you say, “There’s nothing I can do, let it go,” or do you confront it, solve the problem, or even reignite your fire and bravely move forward? If I were the only one saying this, people would think I’m crazy. It’s one thing if I’m the crazy one, but if a group of people are all crazy, the perseverance and the likelihood of success are very high. So I’m very fortunate to have found a group of friends with strong solidarity, strong cohesion and a common goal.
A common vision kept them through thick and thin. Despite the Ju Percussion Group’s international standing, it remains committed to Taiwan.
To inspire more kids, the Ju Percussion Group went further into schools, such as holding classes in Taipei’s Dalong Elementary School to get kids to play music.
Lee Pei-hsun
Member
I think it’s very important for children to grow up happily, so in the process of nurturing their learning and interests, we also hope that they can gain something from it. If the schoolwork becomes too stressful, sometimes playing music, or just playing is a very therapeutic process.
On campus, children tap out rhythms for the first time, experiencing the joy of music. These inspired ideas may one day be transformed into musical works.
Wu Hao-tse
Dalong Elementary School
It’s different from other classes, because in other classes you have to sit in a chair and look through things, but in this class, you can go up and play many musical instruments. My wish is to be up there and show little kids how I play musical instruments.
Liu Guo-chao
Dalong Elementary School principal
Watching a performance itself is incredibly moving. It’s a kind of emotion that you might not normally feel in your daily life. But music, with its many elements, sparks children’s imaginations and connects them with human relationships. I think that kind of emotion will stay in their hearts for a lifetime.
Hwang Kuen-yean
Senior member
Some kids may not have the opportunity to come to the National Concert Hall or other performance venues and sit upright to watch a concert. We’re proactively bringing music to their doorstep, and suddenly they’re discovering how wonderful music is. Perhaps this catalyzes a passion for music in the future.
They keep running with all their might. This is the group’s second percussion theater production, “A Tale of Clay,” telling the story of Lin Kuang-ching, the founder of a ceramic empire.
Ju Tzong-ching
Founder and Artistic Director
Lin Kuang-ching’s story is the same as the percussion group’s 40-year history. From the first blueprint, through setbacks and various trials and tribulations, we learned how to regain passion and keep moving forward. Our story is the same as his. So we have two storylines in this production.
The protagonist of the story, Lin Kuang-ching, also gave his first theater performance, conveying a story of perseverence through the action of running. In addition, “A Tale of Clay” is also the first work co-created by members of the Ju Percussion Group across generations.
Kao Han-yen
Member
I often say that it’s like I’m standing on the shoulders of giants to see the world and the development of percussion music. It seems like we’ve avoided many detours and can clearly see our future development and how we should communicate with the audience.
Peng Ching-ying
Member
I feel very proud to stand on stage with everyone in the group, because I think it’s really quite an achievement to have come this far. The pride probably comes from being able to stand together at such heights. I feel very lucky.
For 40 years, Ju Percussion Group has traveled the world and reached out to people with their music. They’ve proven that art is not just for the halls of fame, but can enter everyday life and be passed down through generations. And their story is far from over.
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#music #percussion #ensemble #concerts #musiceducation
有一群音樂,家四十年來在台灣走出一條不一樣的藝術道路。他們是在國內外相當具知名度和代表性的「朱宗慶打擊樂團」。相比其他樂器,打擊樂更貼近人類原始的心跳,強烈的節奏感和渲染力,總能瞬間拉近演奏者和觀眾的距離,他們不僅現身在專業的音樂殿堂,更積極走入人群中,在廟口、工地秀都演出過,用最接地氣的方式,將打擊樂、分享給一般民眾。讓我們一起傾聽,這個深耕土地,屬於台灣的動人節奏。
一群人浩浩蕩蕩從台北出發,他們是朱宗慶打擊樂團的團員,揹負著任務,踏上往花蓮的旅程。
樂團日前就受邀到花蓮表演,沒想到演出前,遇到馬太鞍溪堰塞湖災變,因此延期。
以鏟子和水桶為樂器,重新編排成的節奏,讓觀眾時而屏息凝神,時而熱烈鼓掌,另外團員遞水桶的橋段,呈現的正是眾人齊心,彼此支援的力量。
[[朱宗慶打擊樂團團員 黃堃儼]]
“希望把音樂的歡樂或熱情,帶給這裡的朋友,也不是說我們要做多偉大的事情,而是做一點小小的感染,或許讓他回去睡覺前,夢裡甜甜,暖暖的,我覺得就已經很棒了”
[[朱宗慶打擊樂團團員 吳思珊]]
“打擊樂器很貼近人的心跳,敲敲打打也是人的本能,我們很喜歡透過打擊樂器來跟人群們互動,也是希望他們在很輕鬆的狀況下,可以認識音樂,拉近人跟音樂之間的距離”
這一場花蓮光復的表演,是由朱宗慶打擊樂團14位跨越四代的團員,共同演出。其中站在舞台上的彭瀞瑩,不只是演出者,同時也是朱宗慶打擊樂教學系統的老師。
離開舞台,彭瀞瑩站上講台,把自己一路走來的學習經歷,轉化成下一代的音樂養分。
神鬼奇航的曲子,瀞瑩引導學生想像出航的畫面,讓孩子迅速掌握舞台張力的精髓。
[[朱宗慶打擊樂團團員 彭瀞瑩]]
當老師之後,我才真的好像可以明白,以前老師在上課的時候,原來他是這樣子在帶我們,或是他希望,我們可以怎麼樣的心情。其實我以前每個禮拜上課,進教室之前都會緊張,或有時候可能自己沒有練好,所以我在罵學生的時候,我會自己想到,以前好像也是那樣”
小時候的瀞瑩很內向,五歲的時候,被媽媽送來朱宗慶開辦的打擊樂教學系統上課,不僅打開了心房,也從此與打擊樂,結下不解之緣。
[[朱宗慶打擊樂團團員 彭瀞瑩]]
“一開始選打擊樂就是喜歡,真的覺得很好玩,喜歡,有成就感,或是我們會去巡演,大家會一起完成,一起會讓我們做的那些事情,不只是結果重要,是過程會變得更好,我覺得對我還滿大的影響,我一直很想要在團體裡面感覺到這些事情,因為我覺得那些東西都很真”
從幼兒班的學生到一團的正式團員,將近30年,瀞瑩幾乎把成長歲月都留在了樂團,而目前20位團員中,就有7位是像瀞瑩這樣的「朱團寶寶」。
[[朱宗慶打擊樂團創辦人 朱宗慶]]
“這個教法,它不是為了當演奏家,是給你體制外教學,用人敲敲打打的本能來接觸音樂,後來發現很多人,因為這樣走上藝術的,所以這個過程35年了,在這邊已經16萬人待過,我覺得這是我沒有想到的”
朱宗慶打擊樂團,成立於1986年,是台灣第一支專業的打擊樂團,1991年創辦打擊樂教學系統,後續開枝散葉,組建二團,躍動團等,至今樂團的表演足跡,遍及全球35個國家地區,演出超過3500場。
[[朱宗慶打擊樂團創辦人 朱宗慶]]
“當初創辦的時候,只是因為自己喜歡,但是我最幸運的就是,從開始的衝動到現在的初衷一直沒變過,我本來認為40年,在全世界民間的表演團體,是很困難的,但是我們已經突破了自然法則”
[[朱宗慶打擊樂團團員 戴含芝]]
“我覺得我們在做音樂,這件事情多樣性滿多的,再來我覺得,大家應該來看我們的演出,首先都會感覺到活力,會感覺到我們在台上,是怎麼樣大家合作,享受音樂,希望把打擊樂的熱情帶給大家”
正式演出前,朱宗慶總是親力親為,緊盯排練,任何細節都不放過,這份執著讓樂團走過40年,外界看似一帆風順,其實篳路藍縷。
2022年12月,朱宗慶打擊樂團位於八里承租的倉庫,受到波及,許多珍貴資產,被暗夜大火悉數燒毀,更衝擊的是,距離年度大作《木蘭》首演,僅剩不到兩個月。
[[朱宗慶打擊樂團創辦人 朱宗慶]]
“那個情況對我們很大的撞擊,那一剎那,我馬上召集視訊會議,馬上去盤查,到底有沒有傷到人,第二個有什麼損失,接下來我就做很重要的定調,不打悲情牌,後來我們直接做一個動作,叫做倒數一千天,從制度、人才、作品、演出,整片的做一些規劃”
半年之後,朱宗慶打擊樂團浴火重生,而且不只挺過祝融之災,新冠肺炎肆虐時,藝文界陷入寒冬,朱宗慶當時是第一位站出來宣布,不會裁員減薪的藝文團體。
[[朱宗慶打擊樂團創辦人 朱宗慶]]
“就是當發生的時候,你用什麼態度面對它,你說,沒辦法,讓它去,還是說,碰到,解決問題,或者鬥志反而再來,然後勇敢向前走,如果我一個人講這話,你會被人當瘋子,我一個人是瘋子就算了,如果一群人都瘋子的話,那種持續力,完成的可能性就很高,所以我非常幸運的,找到一批向心力很強,凝聚力很強,共同目標去找的一群朋友”
共同的目標,理想,讓這群人能走得更長更久,朱宗慶打擊樂團,征戰國際舞台多年,仍不忘深耕台灣。
為了散播音樂的種子,朱宗慶樂團進一步走進校園,前進台北市大龍國小,與孩子們交流分享。
[[朱宗慶打擊樂團團員 李佩洵]]
“我覺得小孩的快樂成長很重要,所以我們在培養他,學習跟興趣的過程中,也是希望他可以從裡面獲得一些養分,如果課業壓力很重的時候,有時候在玩,你就是玩,那是一個很療癒自己的過程”
在校園裡孩子們,第一次敲下節奏,感受音樂的樂趣,而這些被啟發的靈感,未來也將可能轉化成一首首作品。
[[台北市大龍國小學生 吳昊擇]]
“它跟別的課不一樣,因為別的課就是,你要坐在椅子上面翻東西,這堂課不是,他可以請你上去玩很多樂器,我的願望就是,可以在上面,給小朋友看我打樂器”
[[台北市大龍國小校長 劉國兆]]
“看表演本身,會受到非常多的感動,那種感動,平常在你的日常生活中比較感受不到,可是透過音樂,它有很多的元素,開啟孩子很多的想像畫面,連結到很多,他的人跟人之間情感連結,我覺得那種感動,會留在他心中一輩子”
[[朱宗慶打擊樂團團員 黃堃儼]]
“可能他沒有什麼機會,可以到國家音樂廳來,或者到其他表演場地,正襟危坐的去看一場音樂會,而我們主動的把音樂帶到你的面前,突然他發現了原來音樂這麼棒,或許這小小的種子點燃了他,未來喜歡去音樂廳,看表演的思考”
卯足了勁,一遍又一遍來回奔跑,擊樂劇場第2號作品《泥巴》,描繪台灣知名陶瓷品牌創辦人林光清,躋身世界的激勵故事。
[[朱宗慶打擊樂團創辦人 朱宗慶]]
“林光清的故事,加上打擊樂團40年的故事,也是一樣,從開始的夢想,中間的挫折,怎麼樣的去克服各種困難的試煉跟考驗,怎麼樣恢復自己的熱情,繼續往前走,這個過程跟他是一樣,所以我們就雙軸線進行”
故事的主人翁林光清,也獻上表演藝術舞台初體驗,透過奔跑演繹奮鬥故事,另外《泥巴》也是朱宗慶打擊樂團,首個團員跨世代共創的作品。
[[朱宗慶打擊樂團團員 高瀚諺]]
“我常常會說,我像是站在一個巨人的肩膀上面看這個世界,看打擊樂的發展,我們好像少走了很多的冤枉路,也可以好好的看清楚說,我們之後的發展,可以是長怎麼樣,要怎麼樣跟觀眾說話”
[[朱宗慶打擊樂團團員 彭瀞瑩]]
“我覺得跟樂團的大家,一起站在台上的時候會感到很驕傲,因為我覺得真的是還滿了不起的事情,可以走那麼遠,驕傲的感覺,可能是來自於,可以一起站在這麼高的地方,我覺得很幸運”
40年,一群人用打擊樂走遍世界,也走進人群,朱宗慶打擊樂團證明,藝術不只屬於殿堂,更能在生活裡陪伴,啟發和世代傳承,而這段深耕台灣的旅程,未完待續。
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