
Taiwanese films and immersive works won several awards at this year’s 77th Cannes Film Festival. The Ministry of Culture and the Taiwan Creative Content Agency held a press conference to congratulate the award-winning and shortlisted teams. FTV reporter Stephany Yang has the details.
The 77th Cannes Film Festival has just concluded. Several Taiwanese films and immersive works were shortlisted and a few even won awards.
Among them is the AR work "Colored,” a collaboration between Taiwan and France. The film takes audiences back to 1955 and into America’s segregated society. Viewers witness 15-year-old teenager Claudette Colvin’s fight against the system and how she helped launch the civil rights movement. The AR work was shot in Taiwan using the 4DViews technique. It won Best Immersive Work at the Cannes Film Festival.
Chen Chia-yu
Administrative coordinator
This work brought together people from over 20 countries to participate in this production. In addition to France and Taiwan, all our actors live and study in Taiwan: American, Ugandan, British, or Russian, among others. This work can be considered an international production.
“Mongrel” depicts the life of an undocumented Thai caregiver in Taiwan. The film explores themes of immigration, labor exploitation, and resilience.
Lynn Chen
Producer
This film is about the communication between the caregiver and the person being cared for, and the presence of the bridge between them.
To support creators, the Ministry of Culture and the Taiwan Creative Content Agency launched a series of subsidies and awards for creators as part of an effort to help Taiwanese artists shine on the international stage.
Homme Tsai
Taiwan Creative Content Agency chair
In addition to the Taiwanese team’s seven shortlisted and award-winning works at the 77th Cannes Film Festival this year, in the future, the Taiwan Creative Content Agency will send more Taiwanese filmmakers to well-known international film festivals. Whether it’s directors or some stars, by having them go abroad we can show the world our outstanding teams from Taiwan.
Li Yuan
Culture minister
Based on our situation this year, our grants and funds have increased to a maximum of NT$50 million. Add that to money invested into Taiwanese filmmakers by the Taiwan Creative Content Agency, I think that, even for a new talent, our filmmakers are very lucky compared to those in other countries.
The Ministry of Culture and the Taiwan Creative Content Agency held a press conference to congratulate the winners, and also express their hope to foster more talent and create more opportunities for international co-productions.
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臺灣電影與沉浸式作品在今年第 77 屆坎城影展表現亮眼,不僅入圍多個單元,並榮獲多項大獎。文化部與文策院特地為得獎、入圍團隊舉辦媒體見面會,共同分享獲獎、創作心情。
第77屆坎城影展完美落幕。台灣有多部電影和沈浸式作品有入圍及獲獎。
由台法合作的實境紀錄作品《黑》,榮獲坎城影展「最佳沉浸式作品獎」。該作品描述美國1955年代不公平的種族隔離政策與體制,當時一名15歲黑人女克羅黛特柯爾文勇敢挑戰種族隔離法。本作品使用在台灣4DViews容積擷取攝影棚拍攝。
[[行政統籌 陳嘉妤]]
"這個作品真的讓20個以上國家的人參與到這個作品,除了法國跟台灣之外,我們在裡頭的所有的演員都是生活在台灣念書的,不管是美國人、烏干達、英國還有俄羅斯人。這個作品可以代表國際的製作。"
《白衣蒼狗》講述來自泰國的外籍移工為養活老家而來台的故事。這部電影探討有關移民、勞動力剝削和情感掙扎等主題。
[[製作人 陳瑭羚]]
"這部片在講照顧的人跟被照顧的人之間的溝通,然後那個橋梁。"
為了支持創作者,文化部今年首推「國產電影長片國際續航力」補助,鼓勵團隊提前布局國際參展策略,並從2024年起提高輔導金補助上限。另外今年許多作品也獲文策院「國際合作投資專案計畫」投資支持,就希望提升臺灣文化的國際能見度。
[[策院董事長 蔡嘉駿]]
"台灣的團隊除了這次在77屆坎城入圍7部跟得獎作品之外,未來文策院在整個國際影展的規劃上面,我們大概會在重要影展都會帶更多的台灣的影人,無論是導演或是一些明星,出國去給全世界見見我們台灣優秀的團隊"
[[文化部長 李遠]]
"在今年的情況下,我們的輔導金已經可以變成上限到5000萬,加上文策院投資,所以在台灣的電影人,那怕是一個新人,我覺得跟其他國家比起來應該滿幸運。"
文化部與文策院特地舉辦媒體見面會,不僅對表揚對獲獎及入團團隊的肯定,也希望更多文創工作者投入創作行列,打造更多表現臺灣特色的國際作品。
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