
A worldwide tour to exhibit the works of German conceptual artist Thomas Demand is now in Taipei. Nearly 70 large-scale photographic works, wallpaper installations, and moving image pieces aim to challenge viewers to reflect on the nature of visual imagery. FTV reporter Stephany Yang takes us in for a look!
This is a photo from a press conference held by US President Donald Trump in 2017. Or, is it? German artist Thomas Demand recreated the scene from paper before he captured it on camera.
Sung Yu-mei
TFAM media associate
He went to recreate the scene of the press conference held by Donald Trump before he took office in 2017. At this press conference, he placed a lot of folders to prove that he had handed over the management of his company, that there would be no business interests involved when he then took office in the future. But the interesting thing is that when reporters wanted to go up and read these documents, he didn’t allow them to do so. Although these papers were a type of evidence, however, they may also be just props and there may be nothing in them.
Another work by Demand was created using 270,000 paper leaves to create a forest.
Sung Yu-mei
TFAM media associate
He was curious about the difference between the man-made and the natural world. He used 270,000 paper leaves, paper cut into the shape of leaves, to make this work. For him, the lighting was also very important. He tried a lot of lighting from different directions, and finally adjusted it to one that he felt was very consistent with the feeling of the dreamy forest that everyone imagined.
This work was created using 36 tons of postcards to construct a life-size cave. Many of Demand’s works draws inspiration from footage and images of scenery or important social and historical events. He recreates these scenes using paper and then takes photos of these reconstructions.
Sung Yu-mei
TFAM media associate
He will use images of historical or social events as his subject matter. He will use paper to build the scene true-to-scale. After the construction is completed, he will use lights to make the scene look like the original image. He wants to challenge whether images are objective and legitimate media. What is the gap between images and reality? The last exhibition Demand took part in Taipei was at the Taipei Biennale in 2002, which marked the 10th of his creative career. This time, after more than 20 years, he presented a 30-year retrospective, which contains nearly 70 of his works, from which we can see his unique creative method of integrating sculpture and photography.
The paper models are destroyed after Demand gets the shot he wants. The object thus fades but the image remains. The exhibition will be held at the Taipei Fine Arts Museum until May 11.
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德國概念藝術大師托馬斯·德曼世界巡迴展登台,展覽匯集近70件作品,呈現其30年融合雕塑與攝影的創作實踐。一起來看看!
這是2017年美國總統唐納·川普舉行的新聞記者會的照片,但仔細一看,真的是嗎? 德國藝術家托馬斯·德曼利用紙雕模擬現實場景,接著透過相機構圖及光線捕捉這一刻,重現原影像。
[[台北市立美術館研究助理 宋郁玫]]
"他去重現了2017年唐納·川普,他在就任前所開的記者會的現場,在這個記者會上,他放了非常多的文件夾,藉此想要證明我已經交出我手下企業的經營權了,未來就任總統就不會有商業利益的瓜葛。但是有趣的事情是呢,當時記者想要上前去翻閱這些文件,他卻又不情願地讓記者做這些事情。這些紙,雖然做一種證據,但是可能只是一種道具而已,可能裡面什麼都沒有"
另一件作品,藝術家利用27萬張紙樹葉創造出一片森林。
[[台北市立美術館研究助理 宋郁玫]]
“他很好奇人造跟自然世界的分言是什麼,他用了27萬張的紙葉,用紙剪成樹葉的形狀做成了這幅。對他來說,燈光的表現也非常的重要的,曾經試過非常多的不同位置的燈光,調整到最後,才到一幅他覺得非常符合大家想像中夢幻森林的感覺"
這件作品運用共36噸的硬紙板建造出,一個原寸的洞穴。托馬斯·德曼的許多作品的取材自風景或重要的社會和歷史事件。他用紙雕模擬場景,然後重新拍攝,還原現場。
[[台北市立美術館研究助理 宋郁玫]]
"他會用歷史或是社會事件的圖像作為他的題材,他會用紙去建造1比1大小的場景,建造完之後,他會透過打燈,讓現場看起來來像是原影像一樣。他想要去挑戰說,究竟影像是絕對客觀,真實的媒介嗎?究竟影像跟現實之間的距離又是什麼? Demand上次展出是2002年的台北雙年展,當時是創作生涯的差不多10 年左右,這次相隔了20多年,他帶來了30 年回顧的形式,裡面包含將近70件他的作品,從中可以看出他去融合雕塑以及攝影的獨特的創作方法"
藝術家以紙材重建實物大小,透過鏡頭取景拍攝近原影像畫面,之後將模型摧毀,只留下影像。展覽在台北市立美術館展出至5月11日。
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