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National Center of Photography and Images explores Taiwan’s photography history

National Center of Photography and Images explores Taiwan’s photography history

2026-01-08

The National Center of Photography and Images is holding an exhibit exploring Taiwan’s photography history and culture from the 1940s to the present day. FTV reporter Stephany Yang takes us in for a look!

One of the featured works on display is by photographer Chang Tsang-sang. He documented the aftermath of the Jiji Earthquake, which struck Taiwan on Sept. 21, 1999, and became one of the deadliest in Taiwan’s history. Chang visited 50 affected families, capturing their portraits and recording the reconstruction process in the disaster zones. Five years later, he returned to revisit these families, documenting the transformations that had taken place since the tragedy. The exhibition presents these portraits side by side, offering a powerful comparison of life before and after the disaster.

Chang Tsang-sang
Photographer
Right after the incident, many victims lived in tents. In fact, at that time, quite a number of displaced families were staying in military barracks, container houses, or even their own vehicles. During the first stage, in the months following the disaster, I documented around 50 families. As the fifth anniversary approached, I returned to the families I had previously visited, comparing two sets of photographs. In the second stage, I interviewed 37 families. Looking back at the first stage, the affected area was vast, and on site, you could see the current situation of the survivors and what their concerns were during those months. I quickly took the photos and written descriptions and gave them to newspapers, hoping to convey their circumstances. For example, they worried about what would happen when the rainy season arrived, and some people living in container houses had no accessible facilities. These were the kinds of issues I sought to highlight.

Another photographer is Yang Shun-fa. His series "The Submerged Beauty of Formosa" brings to light different buildings that are submerged underwater. Through his work, he hopes to invite viewers to reflect on the relationship between humans and the environment.

Yang Shun-fa
Photographer
What I mainly wanted to explore was: why are these houses in the sea? Why have they been submerged by seawater? Is it due to land subsidence? Global warming? Rising sea levels? After discovering the first house, I decided to use this method, to walk along the entire coastline of Taiwan. Over the course of three years, I surveyed Taiwan’s shoreline. Wherever my car could reach, I stopped every 300 meters to observe and record the condition of the coast.

This is the National Center of Photography and Image’s annual collection exhibition titled "The Realm of Narrative: Witnessing and Inner Voice Behind the Lens," which showcases works by 16 photographers that reflect over 80 years of Taiwan’s photographic development. The exhibit will be held till May 24 at the National Center of Photography and Images in Taipei.

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#Photography #History #Exhibition #Events #TaiwanHistory #NationalCenterofPhotographyandImages

國家攝影文化中心典藏展 反映台灣80餘年的攝影歷程

2026-01-08

國家攝影文化中心舉辦年度攝影典藏展,聚焦1940年代後台灣攝影史的發展。一起來看看!

本次展覽的重點展品之一是攝影師張蒼松的作品。他記錄了1999年9月21日地震的災後景象,這場地震是台灣史上最嚴重的地震之一。張蒼松走訪了50個受災家庭,為他們拍攝肖像,以及災區的重建過程。五年後,他再次拜訪這些家庭,記錄了自災難發生以來的變化。展覽將這些肖像並排展出,對比了災前災後的生活。

[[藝術家 張蒼松]]
"第一個時間,很多受害者都住在帳篷,事實上那個時間點,有不少受災戶他們住在營房、貨櫃屋,還有自己自用車等等。然後我第一個階段災後的幾個月,我記錄50個家庭左右,快滿五周年的時候,我再回到我原來訪視過的家庭,兩張照片的比對,第二個階段採訪了37個家庭,所以如果回顧第一個階段的時候,在災區整個受災的範圍很大,現場會看到災民的現階段,那幾個月他們的憂慮是什麼,就會儘快掌握第一時間把稿子跟照片發布到報社,希望把他們的現況傳達出去。比方說,他們會擔心雨季來了這麼辦,然後有的人住的貨櫃屋並沒有無障礙空間,類似這樣的議題。"

另一位攝影師是楊順發。他的系列作品"台灣水沒" 展現了不同被水淹沒的建築。他希望透過作品引發觀者對人與環境關係的思考。

[[藝術家 楊順發]]
"我主要是想要探討說,這些房子為什麼會在海裡面?他為什麼會被海水淹沒?是地層下陷嗎?是全球暖化嗎?海平面上升?我發現了第一棟房子之後,所以我用了這個方法,把全台灣的海岸線全部走一遍。我當時用了三年的時間,在這邊做台灣海岸線的踏查,我車子開得到的,我每隔300公尺就下車,去看看那邊海岸線的狀況是怎麼樣。"

這是2025國家攝影文化中心典藏展,名為「敘事的向度:攝影中的在場與獨白」與「時代的側寫:攝影觀點的流轉與重構」,展出16位攝影師的作品,反映了台灣80餘年的攝影發展歷程。展覽在國家攝影文化中心舉辦到5月24日。

更多新聞內容,請鎖定:
民視台灣台(152頻道)週一至週五晚上9:30
民視新聞台(53頻道)週二至週六凌晨1:00


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